West Side Story (film) - Wikipedia. West Side Story is a 1. American musicalromanticdrama film directed by Robert Wise and Jerome Robbins. The film is an adaptation of the 1.

Our film critics on blockbusters, independents and everything in between. With Dan Castellaneta, Julie Kavner, Nancy Cartwright, Yeardley Smith. The Simpsons is an animated sitcom about the antics of a dysfunctional family called the. Kick-Ass is a 2010 British-American superhero black comedy film based on the comic book of the same name by Mark Millar and John Romita, Jr. which was published by. بزرگترین آرشیو فیلم وسریال در ایران. با لینک مستقیم برای دانلود. بروزترین سایت سریال در.

Broadwaymusical of the same name, which in turn was inspired by William Shakespeare's play Romeo and Juliet. It stars Natalie Wood, Richard Beymer, Russ Tamblyn, Rita Moreno, and George Chakiris, and was photographed by Daniel L. Fapp, A. S. C., in Super Panavision 7. Released on October 1.

United Artists, the film received high praise from critics and viewers, and became the second highest grossing film of the year in the United States. The film was nominated for 1.

Academy Awards and won 1. Best Picture (as well as a special award for Robbins), becoming the record holder for the most wins for a movie musical. The film has been deemed "culturally significant" by the United States Library of Congress and was selected for the National Film Registry in 1. In the summer of 1. West Side's Lincoln Square neighborhood in Manhattan, there is tension between a white gang, the Jets, led by Riff, and a Puerto Rican gang, the Sharks, led by Bernardo. After a brawl erupts, Lieutenant Schrank and Officer Krupke arrive and break it up, ordering both gangs to cease all fighting, or face the consequences. Despite their warning, the Jets decide to challenge the Sharks to a rumble for neighborhood control, at an upcoming dance.

Riff decides that his best friend Tony, the co- founder of the Jets who left the gang, and works at Doc's drug store, should fight. Riff invites Tony to the dance, but Tony is uninterested. He tells Riff that he senses something important will happen, which Riff suggests could have a correlation with the dance. Bernardo's younger sister, Maria, tells her best friend and Bernardo's girlfriend, Anita, how excited she is about the dance. At the dance, the gangs and girls refuse to intermingle. Watch Nick Download. Tony arrives and he and Maria fall in love.

However, Bernardo angrily demands that Tony stay away from her. Riff proposes a meeting with Bernardo at Doc's drug store. Maria is sent home; Anita argues that Bernardo is overprotective of Maria and they compare the advantages of Puerto Rico and the United States. Tony discreetly visits Maria on her fire escape, where they reaffirm their love.

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Krupke, who suspects the Jets are planning something, visits them and warns them not to cause trouble. Doc, the owner of the drug store also discourages fighting, but no one listens. When the Sharks arrive, both groups agree to have the showdown the following evening under the highway, with a one- on- one fist fight, under the suggestion of Tony.

When Schrank arrives, the gangs feign friendship. Schrank does not buy it, and orders the Sharks out and unsuccessfully tries to get the Jets to divulge the location of the fight. No Deposit Online Putlocker.

After everyone else leaves, Tony tells a concerned Doc about his love. The next day at the bridal shop, Anita accidentally tells Maria about the rumble.

Tony arrives to see Maria, which shocks Anita. They profess their love and Anita warns them about the consequences if Bernardo learns of their relationship. Maria has Tony promise to prevent the rumble. Tony and Maria fantasize about their wedding ceremony. The Jets and Sharks approach the area under the highway. Tony arrives to stop the fight, but Bernardo antagonizes him. Unwilling to watch Tony be humiliated, Riff initiates a knife fight.

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Tony tries to intervene, which leads to Bernardo killing Riff. Watch The Merchant Of Venice Download Full. Tony kills Bernardo with Riff's knife and a melee ensues. Police sirens blare and everyone flees, leaving behind the bodies of Riff and Bernardo. Tony lingers a moment realizing in horror what he's done, and barely manages to escape with the help of Anybodys.

Maria waits for Tony on the rooftop of her apartment building when Chino arrives and tells her what happened. Tony arrives and explains what transpired and asks for her forgiveness before he turns himself in to the police.

Maria confirms her love for him and asks Tony to stay with her. The Jets have reassembled outside a garage, with their new leader, Ice having them focus on their reaction to the police rather than their rival gang.

Anybodys arrives and warns them that Chino, armed with a stolen handgun, is searching out Tony for revenge, so Ice sends the Jets to warn Tony of the danger. Maria and Tony arrange to meet at Doc's, where they will pick up getaway money so they can elope. Anita spots Tony leaving and chides Maria for the relationship, but Maria convinces her to help them elope.

Schrank arrives and questions Maria about the rumble. To cover for Tony, Maria has Anita tell him that Maria is detained from meeting him. When Anita reaches Doc's, the Jets, refusing to believe that she's not helping Chino, harass her, until Doc intervenes. Anita declares that Bernardo was right about them and that Chino killed Maria. Doc banishes the Jets and gives Tony his getaway money in the basement and delivers Anita's message. Tony runs into the streets, shouting for Chino to kill him as well.

In the playground next to Doc's, Tony spots Maria and run toward each other, only for Chino to arrive and shoot Tony. The Jets and Sharks arrive to find Maria holding Tony, who dies. Maria stops the gangs from fighting and takes the gun from Chino.

She threatens to shoot everyone, blaming their hate for the deaths, before dropping the gun and breaking down in tears. Schrank, Krupke and Doc arrive on the scene, but do not intervene, and the gangs form a funeral procession, apparently setting aside their differences, with Maria following. Once they are gone, Schrank and Krupke take Chino into custody. Natalie Wood as Maria Nunez, Bernardo's younger sister, Chino's arranged fiancée, who falls in love with Tony. Richard Beymer as Tony Wyzek, co- founder of the Jets but has outgrown their street culture. Remains best friend of Riff, works at Doc's drug store, and becomes Maria's star- crossed lover.

Russ Tamblyn as Riff Lorton, leader of the Jets, best friend of Tony. Rita Moreno as Anita Palacio, Bernardo's girlfriend, Maria's closest confidante.

Betty Wand as Anita's singing voice for "A Boy Like That" (Moreno did her own singing for "America" and "Quintet")George Chakiris as Bernardo Nunez, leader of the Sharks, older brother of Maria and Anita's boyfriend. Simon Oakland as Lieutenant Schrank, police lieutenant.

Ned Glass as Doc, drugstore owner, Tony's boss; a decent, elderly man. William Bramley as Officer Krupke, neighborhood cop and Schrank's sergeant. Uncredited. John Astin as Glad Hand, well- meaning but ineffective social worker. Penny Santon as Madam Lucia, bridal shop owner.

Tucker Smith as Ice, Riff's lieutenant, becomes leader of the Jets after Riff's death. Tony Mordente as Action, a hot- tempered Jet. Eliot Feld as Baby John, the youngest member of the Jets. A relative innocent. David Winters as A- Rab, Baby John's best friend. Bert Michaels as Snowboy. David Bean as Tiger.

Robert Banas as Joyboy. Anthony 'Scooter' Teague as Big Deal. Harvey Evans (Harvey Hohnecker) as Mouthpiece. Tommy Abbott as Gee- Tar.

Jet Girls[edit]Susan Oakes as Anybodys, a tomboy and wannabe Jet. Gina Trikonis as Graziella, Riff's girlfriend. Carole D'Andrea as Velma, Ice's girlfriend. Uncredited. Rita Hyde d'Amico as Clarice, Big Deal's girlfriend.

Pat Tribble as Minnie, Baby John's girlfriend. Francesca Bellini as Debby, Snowboy's girlfriend. Elaine Joyce as Hotsie, Tiger's girlfriend. Jose De. Vega as Chino Martin, Bernardo's best friend. Jay Norman as Pepe, Bernardo's lieutenant.

Writer Jhumpa Lahiri : NPR1. On a sticky August evening two weeks before her due date, Ashima Ganguli stands in the kitchen of a Central Square apartment, combining Rice Krispies and Planters peanuts and chopped red onion in a bowl. She adds salt, lemon juice, thin slices of green chili pepper, wishing there were mustard oil to pour into the mix. Ashima has been consuming this concoction throughout her pregnancy, a humble approximation of the snack sold for pennies on Calcutta sidewalks and on railway platforms throughout India, spilling from newspaper cones. Even now that there is barely space inside her, it is the one thing she craves. Tasting from a cupped palm, she frowns; as usual, there's something missing.

She stares blankly at the pegboard behind the countertop where her cooking utensils hang, all slightly coated with grease. She wipes sweat from her face with the free end of her sari. Her swollen feet ache against speckled gray linoleum.

Her pelvis aches from the baby's weight. She opens a cupboard, the shelves lined with a grimy yellow- and- white- checkered paper she's been meaning to replace, and reaches for another onion, frowning again as she pulls at its crisp magenta skin. A curious warmth floods her abdomen, followed by a tightening so severe she doubles over, gasping without sound, dropping the onion with a thud on the floor.The sensation passes, only to be followed by a more enduring spasm of discomfort. In the bathroom she discovers, on her underpants, a solid streak of brownish blood. She calls out to her husband, Ashoke, a doctoral candidate in electrical engineering at MIT, who is studying in the bedroom. He leans over a card table; the edge of their bed, two twin mattresses pushed together under a red and purple batik spread, serves as his chair. When she calls out to Ashoke, she doesn't say his name.

Ashima never thinks of her husband's name when she thinks of her husband, even though she knows perfectly well what it is. She has adopted his surname but refuses, for propriety's sake, to utter his first. It's not the type of thing Bengali wives do.

Like a kiss or caress in a Hindi movie, a husband's name is something intimate and therefore unspoken, cleverly patched over. And so, instead of saying Ashoke's name, she utters the interrogative that has come to replace it, which translates roughly as "Are you listening to me?"At dawn a taxi is called to ferry them through deserted Cambridge streets, up Massachusetts Avenue and past Harvard Yard, to Mount Auburn Hospital. Ashima registers, answering questions about the frequency and duration of the contractions, as Ashoke fills out the forms. She is seated in a wheelchair and pushed through the shining, brightly lit corridors, whisked into an elevator more spacious than her kitchen.

On the maternity floor she is assigned to a bed by a window, in a room at the end of the hall. She is asked to remove her Murshidabad silk sari in favor of a flowered cotton gown that, to her mild embarrassment, only reaches her knees. A nurse offers to fold up the sari but, exasperated by the six slippery yards, ends up stuffing the material into Ashima's slate blue suitcase. Her obstetrician, Dr. Ashley, gauntly handsome in a Lord Mountbatten sort of way, with fine sand- colored hair swept back from his temples, arrives to examine her progress.

The baby's head is in the proper position, has already begun its descent. She is told that she is still in early labor, three centimeters dilated, beginning to efface. What does it mean, dilated?" she asks, and Dr. Ashley holds up two fingers side by side, then draws them apart, explaining the unimaginable thing her body must do in order for the baby to pass.

The process will take some time, Dr. Ashley tells her; given that this is her first pregnancy, labor can take twenty- four hours, sometimes more. She searches for Ashoke's face, but he has stepped behind the curtain the doctor has drawn. I'll be back," Ashoke says to her in Bengali, and then a nurse adds: "Don't you worry, Mr. Ganguli. She's got a long ways to go.

We can take over from here."Now she is alone, cut off by curtains from the three other women in the room. One woman's name, she gathers from bits of conversation, is Beverly. Another is Lois. Carol lies to her left. Goddamnit, goddamn you, this is hell," she hears one of them say.

And then a man's voice: "I love you, sweetheart." Words Ashima has neither heard nor expects to hear from her own husband; this is not how they are. It is the first time in her life she has slept alone, surrounded by strangers; all her life she has slept either in a room with her parents, or with Ashoke at her side. She wishes the curtains were open, so that she could talk to the American women. Perhaps one of them has given birth before, can tell her what to expect. But she has gathered that Americans, in spite of their public declarations of affection, in spite of their miniskirts and bikinis, in spite of their hand- holding on the street and lying on top of each other on the Cambridge Common, prefer their privacy. She spreads her fingers over the taut, enormous drum her middle has become, wondering where the baby's feet and hands are at this moment. The child is no longer restless; for the past few days, apart from the occasional flutter, she has not felt it punch or kick or press against her ribs.

She wonders if she is the only Indian person in the hospital, but a gentle twitch from the baby reminds her that she is, technically speaking, not alone. Ashima thinks it's strange that her child will be born in a place most people enter either to suffer or to die.

There is nothing to comfort her in the off- white tiles of the floor, the off- white panels of the ceiling, the white sheets tucked tightly into the bed. In India, she thinks to herself, women go home to their parents to give birth, away from husbands and in- laws and household cares, retreating briefly to childhood when the baby arrives.Another contraction begins, more violent than the last. She cries out, pressing her head against the pillow. Her fingers grip the chilly rails of the bed. No one hears her, no nurse rushes to her side.

She has been instructed to time the duration of the contractions and so she consults her watch, a bon voyage gift from her parents, slipped over her wrist the last time she saw them, amid airport confusion and tears. It wasn't until she was on the plane, flying for the first time in her life on a BOAC VC- 1. Dum Dum Airport, as she was drifting over parts of India she'd never set foot in, and then even farther, outside India itself, that she'd noticed the watch among the cavalcade of matrimonial bracelets on both her arms: iron, gold, coral, conch. Now, in addition, she wears a plastic bracelet with a typed label identifying her as a patient of the hospital. She keeps the watch face turned to the inside of her wrist. On the back, surrounded by the words waterproof, antimagnetic, and shock- protected, her married initials, A.

G., are inscribed.American seconds tick on top of her pulse point. For half a minute, a band of pain wraps around her stomach, radiating toward her back and shooting down her legs. And then, again, relief. She calculates the Indian time on her hands.

The tip of her thumb strikes each rung of the brown ladders etched onto the backs of her fingers, then stops at the middle of the third: it is nine and a half hours ahead in Calcutta, already evening, half past eight.